{"id":3502,"date":"2025-10-14T20:30:00","date_gmt":"2025-10-14T18:30:00","guid":{"rendered":"https:\/\/pardontotu.pl\/wydarzenia\/irreversible-entanglements-pierwszy-klubowy-koncert-w-polsce\/"},"modified":"2025-10-14T20:30:00","modified_gmt":"2025-10-14T18:30:00","slug":"irreversible-entanglements-pierwszy-klubowy-koncert-w-polsce","status":"publish","type":"biletomat_events","link":"https:\/\/pardontotu.pl\/en\/wydarzenia\/irreversible-entanglements-pierwszy-klubowy-koncert-w-polsce\/","title":{"rendered":"SOLD OUT: Irreversible Entanglements"},"content":{"rendered":"

Kiedy w 2015r. narodzi\u0142a si\u0119 idea zespo\u0142u, ma\u0142o kto przypuszcza\u0142, \u017ce dekad\u0119 p\u00f3\u017aniej b\u0119d\u0105 nale\u017ce\u0107 do jednego z najpot\u0119\u017cniejszych g\u0142os\u00f3w wsp\u00f3\u0142czesnego jazzu afro futurystycznego<\/strong>. Sa oni znakomitymi improwizatorami, kt\u00f3rzy na scenie tworz\u0105 d\u017awi\u0119kowy front, gdzie gniew miesza si\u0119 z nadziej\u0105, a jazz staje si\u0119 narz\u0119dziem politycznego i duchowego przebudzenia.<\/h3>\n

Z wielk\u0105 przyjemno\u015bci\u0105 zapraszamy na pierwszy w Polsce klubowy koncert jednego z najbardziej bezkompromisowych zespo\u0142\u00f3w wsp\u00f3\u0142czesnej sceny free jazzowej \u2013 Irreversible Entanglements!<\/strong><\/h3>\n

\ud83d\udd38 Informacje:<\/strong><\/h3>\n

\u25aa Data:<\/strong> Wtorek, 14.10.2025
\n\u25aa Wej\u015bcie na koncerty:<\/strong> 19:00
\n\u25aa Rozpocz\u0119cie koncert\u00f3w:<\/strong> 20:30
\n\u25aa Bilety:<\/strong> 129 z\u0142 (przedsprzeda\u017c) \/ 149 z\u0142 (w dniu koncertu)
\n\u25aa Adres:<\/strong> Aleja Armii Ludowej 14; 00-637 Warszawa<\/h3>\n

\ud83d\udd38 Miejsca Siedz\u0105ce:<\/strong><\/h3>\n

\u25aa Liczba miejsc siedz\u0105cych jest ograniczona. Prosimy osoby, kt\u00f3re s\u0105 zainteresowane miejscem siedz\u0105cym o odpowiednio wcze\u015bniejsze dotarcie na koncert (od 19:00)<\/h3>\n

\ud83d\udd38 Bilety:<\/strong><\/h3>\n

\u25aa Nasza strona internetowa: https:\/\/pardontotu.pl\/programme<\/a>
\n\u25aa Stacjonarnie u nas przy barze (bilety kolekcjonerskie)
\n\u25aa Bilety mo\u017cna tak\u017ce naby\u0107 w dniu koncertu (od godziny 19:00) ‘na bramce’, o ile nie zostan\u0105 wcze\u015bniej wyprzedane<\/h3>\n

\ud83d\udd38 Sk\u0142ad:<\/strong><\/h3>\n

\u25aa Camae Ayewa<\/strong> – g\u0142os, elektronika
\n\u25aa Keir Neuringer<\/strong> – saksofon, perkusjonalia, syntezatory
\n\u25aa Aquiles Navarro<\/strong> – tr\u0105bka, konga, syntezatory
\n\u25aa Luke Stewart<\/strong> – kontrabas
\n\u25aa Tcheser Holmes<\/strong> – perkusja<\/h3>\n

\ud83d\udd38 Irreversible Entanglements<\/strong><\/h3>\n

Irreversible Entanglements are a liberation-oriented free jazz collective formed in early 2015 by saxophonist Keir Neuringer, poet Camae Ayewa (a.k.a. Moor Mother) and bassist Luke Stewart, who came together to perform at a Musicians Against Police Brutality event organized after the slaying of Akai Gurley by the NYPD.<\/strong><\/h3>\n

Months later the group added trumpeter Aquiles Navarro and drummer Tcheser Holmes (a duo who also performed at the MAPB event) for a single day of recording at Seizure\u2019s Palace in Brooklyn, and the full quintet\u2019s first time playing together was captured for this debut.<\/h3>\n

In four relentless bouts of inspired fire music the instrumentalists explore and elaborate compositional ideas drawn from their deep individual studies of free jazz improvisation, but the tone of each piece is driven decisively by Ayewa\u2019s searing poetic narrations of Black trauma, survival and power. The message is the undeniable essence of the music.<\/h3>\n

Though free jazz with voice is an uncommon approach in the modern day landscape of the genre, the spirit and subject the band channels and explores represent a return to a central tenant of the sound as it was founded \u2013 to be a vehicle for Black liberation.<\/h3>\n

As creative and adventurous as any recording of contemporary avant-garde jazz but offering listeners no abstractions to hide behind, this is music that both honors and defies tradition, speaking to the present while insisting on the future.<\/h3>\n

 <\/p>\n