Jest on jednym z najbardziej wp\u0142ywowych gitarzyst\u00f3w muzyki eksperymentalnej. Mieszkaj\u0105cy na co dzie\u0144 w San Francisco artysta s\u0142ynie z unikatowego, surowego podej\u015bcia do mo\u017cliwo\u015bci gitary, a jego zesz\u0142oroczny album “Music For Four Guitars” portal Pitchfork scharakteryzowa\u0142 s\u0142owami “album, kt\u00f3ry splata drobne frazy rytmiczne w ekspansywne gobeliny, czerpi\u0105ce z za\u0142o\u017ce\u0144 wczesnego minimalizmu i nowojorskich grup gitarowych, takich jak Glenn Branca Ensemble\u201d.<\/p>\n
Jestesmy podekscytowani, \u017ce po 6 latach Bill Orcutt wyst\u0105pi ponownie w Pardon, To Tu na jedynym w Polsce koncercie, z zespo\u0142em sk\u0142adaj\u0105cym si\u0119 z takich gwiazd jak Wendy Eisenberg, Ava Mendoza i Shane Parish. Zaprezentuj\u0105 oni muzyk\u0119 z ww. albumu w rozszerzonym formacie, kt\u00f3ry po\u0142\u0105czy skomplikowan\u0105 kompozycj\u0119 z nieograniczon\u0105 improwizacj\u0105. Zapraszamy bardzo serdecznie!<\/p>\n
\u25aa Data: Poniedzia\u0142ek, 13.11.2023
\n\u25aa Wej\u015bcie na koncert: 19:00
\n\u25aa Rozpocz\u0119cie koncertu: 20:30
\n\u25aa Bilety: 79 z\u0142 (przedsprzeda\u017c) \/ 89 z\u0142 (w dniu koncertu)
\n\u25aa Adres: Aleja Armii Ludowej 14; 00-637 Warszawa<\/p>\n
\u25aa Liczba miejsc siedz\u0105cych jest ograniczona. Prosimy osoby, kt\u00f3re s\u0105 zainteresowane miejscem siedz\u0105cym o odpowiednio wcze\u015bniejsze dotarcie na koncert (od 19:00).<\/p>\n
\u25aa Bilety:<\/p>\n
\u25aa Nasza strona internetowa: https:\/\/pardontotu.pl\/programme
\n\u25aa Stacjonarnie u nas przy barze (bilety kolekcjonerskie)
\n\u25aa Bilety mo\u017cna tak\u017ce naby\u0107 w dniu koncertu (od godziny 19:00) ‘na bramce’, o ile nie zostan\u0105 wcze\u015bniej wyprzedane<\/p>\n
\u25aa Bill Orcutt Guitar Quartet<\/p>\n
San Francisco-based guitarist and composer Bill Orcutt presents his latest project, an all-electric Guitar Quartet performing the music from his 2022 LP \u201cMusic for Four Guitars,\u201d an album which Pitchfork describes as \u201ca rigidly structured quartet that weaves tiny rhythmic phrases into expansive tapestries, drawing on the tenets of early minimalism and New York guitar groups like Glenn Branca Ensemble.\u201d Featuring an all-star team of guitarists Orcutt, Wendy Eisenberg, Ava Mendoza, and Shane Parish, the ensemble will present the music in an expanded live format that will combine intricate composition with no holds barred improvisation.<\/p>\n
Bill Orcutt is the former guitarist and founder of the notorious 90\u2019s group Harry Pussy, and his sound is a stuttered reimagining of blues guitar, weaving looping melodic lines and angular attack into a dense, fissured landscape of American primitivism, outsider jazz, and a stripped-down re-envisioning of the possibilities of the guitar. Whether he\u2019s playing his decrepit Kay acoustic or gutted electric Telecaster (both stripped of two of their strings, as has been Orcutt\u2019s custom since 1985), Orcutt\u2019s jagged sound is utterly unique and instantly recognizable, compared with equal frequency to avant-garde composers and rural bluesmen. The New York Times has called him a “powerful musician… a go-for-broke guitar improviser,” and described his sound as “articulated sprays of arpeggiated chords and dissonance.”<\/p>\n
Wendy Eisenberg is an improviser and songwriter who uses guitar, pedals, the tenor banjo, the computer, the synthesizer and the voice. Their work spans genres, from jazz to noise to avant-rock to delicate songs; their performances span venues, from international festivals to intimate basements. Though often working solo as both a songwriter and improviser, with acclaimed releases on Tzadik, VDSQ, Out of your Head, and Garden Portal, they also perform in the rock band Editrix, and in endless other combinations of their heroes and peers including Allison Miller, Carla Kihlstedt, John Zorn, Billy Martin, and Caroline Davis. They are also a writer on music and other things, with published essays on music in Sound American, Arcana, and the Contemporary Music Review.<\/p>\n
Settled in Brooklyn, Ava Mendoza has gained a deserved reputation in recent years for being one of the most exciting musicians on the New York scene, appearing on stages and records with John Zorn, Matana Roberts, Fred Frith, Hamid Drake, William Parkers and Mike Watt. Although also performing with the trio Unnatural Ways (with whom she appeared at Jazz in August in 2016), here Mendoza presents her beguiling solo work whose latest chapter, New Spells, released in 2021, brings together her own compositions with pieces written by Trevor Dunn, Devin Hoff and John Dikeman. Marc Ribot has described New Spells as \u201ca beautiful, powerful and highly original solo electric guitar record \u2013 not just another record but a new sound, a new voice\u201d.<\/p>\n
Shane Parish devotes much of his time to developing his singular and expressive voice on the guitar. He communicates through emotion, unexpected melodicism, technical whimsy, a nuanced sense of form, and rich timbral variety, simultaneously drawing from the guitar\u2019s history and aiming for its future. He is known for fronting the electric instrumental prog-punk band Ahleuchatistas, and for his uniquely beautiful solo acoustic finger-style work, often creating modern re-interpretations of traditional folk tunes. He has released records on Tzadik, International Anthem, Cuneiform and more.<\/p>\n","protected":false},"excerpt":{"rendered":"
Jest on jednym z najbardziej wp\u0142ywowych gitarzyst\u00f3w muzyki eksperymentalnej. Mieszkaj\u0105cy na co dzie\u0144 w San Francisco artysta s\u0142ynie z unikatowego, surowego podej\u015bcia do mo\u017cliwo\u015bci gitary, a jego zesz\u0142oroczny album “Music For Four Guitars” portal Pitchfork scharakteryzowa\u0142 s\u0142owami “album, kt\u00f3ry splata drobne frazy rytmiczne w ekspansywne gobeliny, czerpi\u0105ce z za\u0142o\u017ce\u0144 wczesnego minimalizmu i nowojorskich grup gitarowych, […]<\/p>\n","protected":false},"featured_media":3356,"parent":0,"menu_order":0,"template":"","class_list":["post-3355","biletomat_events","type-biletomat_events","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/pardontotu.pl\/en\/wp-json\/wp\/v2\/biletomat_events\/3355","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pardontotu.pl\/en\/wp-json\/wp\/v2\/biletomat_events"}],"about":[{"href":"https:\/\/pardontotu.pl\/en\/wp-json\/wp\/v2\/types\/biletomat_events"}],"version-history":[{"count":0,"href":"https:\/\/pardontotu.pl\/en\/wp-json\/wp\/v2\/biletomat_events\/3355\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pardontotu.pl\/en\/wp-json\/wp\/v2\/media\/3356"}],"wp:attachment":[{"href":"https:\/\/pardontotu.pl\/en\/wp-json\/wp\/v2\/media?parent=3355"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}