{"id":3034,"date":"2022-07-02T22:30:00","date_gmt":"2022-07-02T20:30:00","guid":{"rendered":"https:\/\/pardontotu.pl\/wydarzenia\/markernestus-ndaggarhythmforce-2022\/"},"modified":"2022-07-02T22:30:00","modified_gmt":"2022-07-02T20:30:00","slug":"markernestus-ndaggarhythmforce-2022","status":"publish","type":"biletomat_events","link":"https:\/\/pardontotu.pl\/en\/wydarzenia\/markernestus-ndaggarhythmforce-2022\/","title":{"rendered":"Mark Ernestus’ Ndagga Rhythm Force"},"content":{"rendered":"

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Po niemal czterech latach wraca do Pardon, To Tu<\/strong> jeden z tych zespo\u0142\u00f3w, kt\u00f3ry zrobi\u0142 nie tylko na nas ogromne wra\u017cenie, ale widz\u0105c wasze u\u015bmiechni\u0119te twarze tu\u017c po koncercie, najwyra\u017aniej r\u00f3wnie\u017c na was. Jeste\u015bmy przeszcz\u0119\u015bliwi, \u017ce na jedynym koncercie w Polsce<\/strong> zawita do nas ponownie senegalska formacja “Mark Ernestus’ Ndagga Rhythm Force”<\/strong>. Zapraszamy bardzo serdecznie! PS.: Na tym koncercie nie b\u0119dzie miejsc siedz\u0105cych.<\/strong><\/h3>\n

\"\u25b6\"<\/span> Sobota, 02.07.2022, g. 20:30<\/strong>
\n\"\u25b6\"<\/span> Bilety: 79 z\u0142 (przedsprzeda\u017c) \/ 89 z\u0142 (w dniu koncertu)<\/strong>
\n\"\u25b6\"<\/span> Adres: Aleja Armii Ludowej 14; 00-637 Warszawa<\/strong><\/h3>\n

Bilety<\/strong> s\u0105 dost\u0119pne za po\u015brednictwem naszej strony internetowej www.pardontotu.pl<\/a>, aplikacji GOING<\/strong>, stacjonarnie w “Pardon, To Tu” przy barze<\/strong> (bilety kolekcjonerskie – od poniedzia\u0142ku, 06.06.2022<\/strong>) oraz w Empikach<\/strong>. Bilety mo\u017cna tak\u017ce naby\u0107 w dniu koncertu (od godziny 19:00) ‘na bramce’, o ile nie zostan\u0105 wcze\u015bniej wyprzedane.<\/h3>\n

\"\u25b6\"<\/span> Mark Ernestus’ Ndagga Rhythm Force<\/strong><\/h3>\n

Nine years into the project, with two acclaimed albums and dozens of triumphant international performances to its name, Yermande announces a thrilling new phase for this Dakar-Berlin collaboration: emphatically a giant step forward. The group of players is boiled down to twelve for recordings, eight for shows; sessions in Dakar become steeply more focussed. “This time around I was better able to specify what I wanted right from the initial recording sessions in Dakar,” says Ernestus, “and further in the production process I took more freedom in reducing and editing audio tracks, changing MIDI data, replacing synth sounds and introducing electronic drum samples.”<\/h3>\n

Right away you hear music-making which has come startlingly into its own. Rather than submitting to the routine, discrete gradations of recording, producing and mixing, the music is tangibly permeated with deadly intent from the off. Lethally it plays a coiled, clipped, percussive venom and thumping bass against the soaring, open-throated spirituality of Mbene Diatta Seck\u2019s singing. Plainly expert, drilled and rooted, the drumming is unpredictable, exclamatory, zinging with life. Likewise the production: intuitive and fresh but utterly attentive; limber but hefty; vividly sculpted against a backdrop of cavernous silence.<\/h3>\n

Six chunks of stunning, next-level mbalax, then, funky as anything.<\/h3>\n

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